By Alex Rodea June 11, 2024
One of the most confusing aspects related to guitar killswitches is if they're normally open or closed. "Normally closed vs normally open" These two terms seem to be always flopping around as to which is which.
You'll find the topic on a forum say one thing, and another post say another. Are you thinking about adding a kill-switch to your guitar anytime soon?
We're gonna clear things up for you on how to install each one & cover some of the basic electronic knowledge that is involved.

Normally Closed (NC) switches are electrical devices that are typically in a closed state, allowing current to flow through the circuit when they are not actuated.
The switch consists of two contacts that are physically connected, creating a closed circuit. When the switch is actuated or pressed, the contacts separate, breaking the circuit and interrupting the current flow.
NC switches find common applications in safety systems, emergency stop buttons, and circuits that require a default closed state. They offer inherent safety by ensuring continuous power supply under normal conditions, and when activated, they quickly halt the current flow, triggering safety measures or alarms.
However, NC switches may not be suitable for applications that require a default open state, as they need active input or activation to break the circuit.
When it comes to guitars, these switches tend to be a bit less sophisticated in construction. They are typically installed on either the positive or ground wire for the pickups.
You basically cut either one of these wires, and connect the two ends to each of the electrical contacts on the switch. This also means that the guitar signal is now flowing through the switch itself which could potentially have an effect on the guitar signal itself.
Normally Open (NO) switches are electrical devices that are typically in an open state, interrupting the flow of current in a circuit when they are not actuated.
The switch consists of two contacts that are not connected in their default state, creating an open circuit. When the switch is actuated or pressed, the contacts come together, closing the circuit and allowing the current to flow.
NO switches find common applications in various devices such as doorbells, lighting systems, and push-button controls. They are used in situations where the circuit needs to be open by default and closed when the switch is activated. One advantage of NO switches is their simplicity and ease of use.
They are also suitable for applications that require a momentary contact or a temporary connection. However, a drawback is that if there is a power failure or technical issue, the circuit will remain open, interrupting the current flow until the switch is actuated again.
In relation to guitars though, normally open switches do not interact with the guitar's normal functioning as far as the signal is concerned. The switch circuit essentially just "floats" until the button is pressed into the closed position and then all it does is ground out the guitar's signal. Otherwise, there's no effect to the tone.
A normally closed (NC) switch is installed in SERIES & works by creating a gap in your signal path when pressed.
In electronic terms, this type of switch creates its opposite, which is an "open". You can think of this like a drawbridge that lets traffic through at all times, but when a ship approaches (or the button is pressed), the bridge folds up & traffic stops flowing through.
It's only until the ship passes (or the button is released) that the normal flow continues.

A normally open (NO) switch on the other hand, is installed in PARALLEL & works by grounding out your pickup's signal as soon as it's pressed.
Again in electrical terms, this type of switch creates its opposite, which is a "short" instead of an "open".
The rule with electricity, is that it follows the path of least resistance. In a guitar, the signal starts at the guitar jack & also ends at the jack after traveling through the potentiometers, pickups, and other electrical components.
By creating a short at the jack, you essentially make a jumper. This jumper allows the signal to exit as soon as it enters, it creates a shortcut whereas the signal doesn't even reach the pickups.
In the end, electricity would rather take the easy way out than have to go through all those pickup windings, resistors, and capacitors. The path of least resistance.
Related: Guitar Jack FAQ
In electrical circuits, series and parallel connections are two fundamental ways to connect components.
In a series circuit, components are connected sequentially (series), with the current flowing through each one consecutively. The total resistance is the sum of individual resistances, and the same current passes through each component.
In a parallel circuit, components are connected in branches (parallel), with each having its own path for current flow. The voltage across each component is the same, but the current divides among them.
Series circuits are used when components need to share current, while parallel circuits are suitable for components requiring the same voltage but independent operation.
Related: How To Troubleshoot A Guitar Jack
So to give you a visual representation, here's what a NC switch looks like when it's installed correctly (in series).
As soon as you press the button, the little draw bridge opens & signal is interrupted.

Below is how a NO switch looks like after being installed in parallel.
Notice that when the button is in its resting position, the signal flows as usual.
When the button is pressed however, the signal takes the shortest path back home & ignores the pickups.

BEWARE: Wiring a NC in parallel or a NO in series, will result in your killswitches working in reverse!
Related: Guitar Kill Switch FAQ
That means the only time you guitar will make a sound is when the button is pressed. Don't worry if this happens right off the bat, perhaps a simple wire swap will fix the issue.
I hope that dispels the myths about NO vs NC, If you're about to install one of our killswitches, note that they're all normally open (NO) so please wire them in accordingly.
Once you get your kill-switch wired, you'll be set to enjoy a whole new aspect to your playing. Crank that amp & let your fingers soar, don't forget to unleash a barrage of staccato "machine-gun" effects here and there!
It's real fun to integrate into your everyday playing & opens the door to new creative possibilities.
by Alex Rodea September 17, 2026
Thick guitar picks offer greater rigidity, mass, and grip, but thickness alone does not make a better pick. Learn how 3mm, 4mm, and 6mm+ picks feel, where extra thickness helps or hurts, and how bevels, taper, and overall size affect playability...
by Alex Rodea September 17, 2026
Teardrop guitar picks combine a narrow profile with a focused playing point for precise, versatile control. Learn their main advantages and tradeoffs, how they compare with Standard and Jazz shapes, and how Iron Age developed the Spearhead as its own teardrop variation...
by Alex Rodea September 16, 2026
Triangle guitar picks offer a larger grip area, multiple usable playing points, and the potential for several different tip shapes in one pick. Learn their main advantages and tradeoffs, how they feel to play, and why the three-point format can be unusually versatile.
by Alex Rodea September 15, 2026
Electric guitar knobs and switches control volume, tone, pickup selection, and other functions. Learn what the controls do, how guitar knob fitment works, and how to remove, install, and choose replacement knobs.
by Alex Rodea September 15, 2026
Jazz guitar picks come in a wide range of compact, thick, sharp, rounded, and enlarged designs. Learn what connects the Jazz pick family, how different variations feel to play, and why these picks are used far beyond jazz music...
by Alex Rodea September 15, 2026
Standard guitar picks are a family of familiar full-size designs, not one exact outline. Learn what defines the category, how the 351 fits within it, and how changes in point, profile, thickness, and grip create different playing feels...
The Sword & Laurel — what our mark demands of the maker, and the musician.
The Oath — how we make, what’s in-house vs partnered, and what we stand behind.
This section doesn’t currently include any content.
Be first to know when new picks drop. Blog updates & shop news, no noise.15% off for new subscribers.
Gladiator · Imperial · Legio Ferrata · Parthenon · Ragnarok · Limited Edition · All Picks
As an Amazon Associate, Iron Age earns from qualifying purchases.
"Quality is never an accident.
Only High Intention. Sincere Effort. Skillful Execution.
Built on purpose, held on purpose."
— The Iron Age Standard
Sign up for the Iron Age newsletter to Save 15% on your 1st order, plus get exclusive offers, product updates, and early access to giveaways!
© 2026 Iron Age Guitar Accessories.
Est 2015.
Alex Rodea
Author
Alex is a former U.S. Marine avionics technician turned founder of Iron Age Guitar Accessories, a one-man shop building boutique picks, knobs, and kill-switches since 2015. He applies systems thinking, precision machining, and insights from thousands of shipped orders and customer reviews to write practical guides on tone, materials, and design for serious players.